We have no place to be / We can't be anywhere 1980-82 Joji Hashiguchi

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We have no place to be 1980-1982 Joji Hashiguchi /

We Can't Stay Anywhere 1980-1982 by Joji Hashiguchi

Foreword by Yoshitomo Nara

A collection of works by Japanese photographer Joji Hashiguchi.

" We Can't Stay Anywhere: Teenagers in a Troubled World" (1982)

This is an important early work that laid the foundation for the author's career spanning more than 40 years.

This 256-page book contains 139 black-and-white photographs, including over 30 previously unpublished works .

The author himself supervised and edited the book, which is printed in two colors with a matte varnish finish.

The result is a worthwhile piece that gives you a sense of the realism of the time.

When society begins to move in one direction,

Boys ran out of their homes and schools and onto the streets.

Break out of the box of a prescribed way of life.

For the boys, it was a ``battle.''

This is what young people in Tokyo looked like in the early 1980s.

The author pursued this through his debut work, " Gaze ."

The artist's attention then turns from the streets of Tokyo to the outside of Japan.

The author, who listened to the Beatles in high school,

It started by standing on the streets of Liverpool, England, and London.

" We are the Children of the Zoo Station " (original title: " Wir Kinder vom Bahnhof Zoo "

The author came across a book entitled "The Story of the 1970s" by Christiane F.

From England, they travel to the West German city of Nuremberg and then West Berlin.

Later, the author, who sympathized with the Beatniks, traveled to New York.

Visit five cities and see the sights of each city.

I attempted to portray the lives of boys on the streets.

America was exhausted by the Vietnam War.

Under the Thatcher administration, Britain was facing a worsening recession and unemployment.

West Germany was at the forefront of the Cold War, and Japan was just beginning to become a controlled society.

Through this book, " We Can't Stay Anywhere 1980-1982 ,"

The image of young people in the 80s in the present day

Let's ask ourselves again what that means.

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